My research in Aboriginal Northern Australia proceeds in two, related domains that bring together my interests in music, media, and the close ethnography of an urbanising Northern Territory. The first looks to the tremendous successes of Aboriginal media production in order to understand its ramifications across Australia’s north. In privileging music and sound in this work I seek to analyze the power of audio media as an everyday presence in Aboriginal lives and to relate this to both enduring and historically emergent understandings of relatedness and of mediation itself. My research thus explores Indigenous filmic and audio media making as a political practice while seeking to keep in sight the broader ontological entailments of media forms and music technologies in the everyday lives of my interlocutors. These closely knit endeavors provide the focus for my first monograph, The Voice and its Doubles (2016), and continue to animate my ongoing research and writing.
My newest ethnographic research interests focus on the amplification of indigenous urbanization in the Northern Territory. Attuned to the novel forms of intra-Indigenous relationship this has entailed and to related aspects of urban fire regimes and Indigenous mobility, the project uses photography, film, and sound recording to produce a shared anthropology of urban Darwin. The project is funded by the National Science Foundation's Cultural Anthropology Program.
I also pursue work with photography, ethnographic cinema, and sound production in my teaching and as a medium of knowledge production in the context of my fieldwork.
In addition to work in Northern Australia I have conducted research in New York City and Peru, and in 2001 produced an ethnographic documentary under the auspices of the Program in Culture and Media titled "A Cat in a Sack."
Books and edited collections:
2016. The Voice and Its Doubles: Music and Media in Northern Australia. Duke University Press.
2013. Becoming Like the State, special issue of Oceania 83(3) [co-edited with Jaap Timmer]
2012 Radio Fields: Anthropology and Wireless Sound in the 21st Century. NYU Press. [co-editor]
Articles and Chapters:
2016. “Experiencing Self-Abstraction: Studio Production and Vocal Consciousness,” in Kalpana Ram and Christopher Houston, eds. Phenomenology in Anthropology: A Sense of Perspective, pp. 153-174. Bloomington: Indiana University Press.
2015. An Urban Frontier: Respatializing Government in Remote Northern Australia. Cultural Anthropology 30(1): 139-168.
2015. “Radio” in David Novak and Matt Sakakeeny, eds. Keywords in Sound. Duke University Press.
2013. Intimacy and self-abstraction: Radio as new media in Aboriginal Australia, Culture, Theory and Critique 54(3): 372-393.
2013. Becoming the State in Northern Australia: Urbanisation, Intra-Indigenous Relatedness, and the State Effect. Oceania 83(3): 238-258.
2013. The Anthropology of Radio Fields. Annual Review of Anthropology 42:363-378 (with Lucas Bessire).
2012. Running amok or just sleeping rough? Long-grass camping and the politics of care. American Ethnologist 39(1):171-186
2012. “Radio Fields.” Introduction to Radio Fields: Anthropology and Wireless Sound in the 21st Century. NYU Press. [co-author]
2012. “From the Studio to the Street: Producing the Voice in Indigenous Australia” in Radio Fields: Anthropology and Wireless Sound in the 21st century. NYU Press.
2010. On Gammon, Global Noise, and Indigenous Heterogeneity: Words as things in Aboriginal Public Culture. Critique of Anthropology30(3):265-286
2009. Speech that Offers Song: Kinship, Country Music, and Incarceration in Northern Australia.” Cultural Anthropology 24(2): 280-312.
2004. “Local sounds, popular technologies: History and historicity in Andean radio.” In Jim Drobnick, ed. Aural Cultures. pp. 207-218. Montreal and Banff: Walter Phillips Gallery/YYZ Books.
PhD, Department of Anthropology, NYU 2005; Certificate in Culture and Media; 2001.